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‘Havarie’ – a dark debut from the Lost Goose Theatre Company

29 Jun

This month I was lucky enough to be one of a select few Londoners attending the debut night of brand new stage play ‘Havarie’ at the Tristan Bates Theatre, Covent Garden – a universal tale of loss, nostalgia and great seafaring voyages.

You’d be forgiven for assuming the opening scene of the play is set in slow motion, however (aided by aquatic sound effects) one swiftly realises our four storytellers are underwater – inspecting long-lost objects sacrificed to the sea.

The play’s narrative centres around two young European sisters (depicted by actresses Louise Ni H-Eidhin and Mona Becker) forced to flee their home and face the maddening effects of the sea.

Louise Ni H-Eidhin, Mona Becker, Havarie, Lost Goose Theatre Company, Tristan Bates Theatre,

The fifth member of the on-stage team is the inanimate companion ‘Dolly’, a modest rag-doll and vessel for the thoughts of the youngest sister played by Louise Ni H-Eidhin. Through Dolly we get to hear the inner-most fears and doubts of a terrified child, stranded at sea.

The play’s namesake ‘havarie’ German for ‘lost at sea’, defines the morbid tale – narrated by actresses Hannah Martin and Marie Keiser-Neilson.

Lost goose theatre company, havarie, play, production, tristan bates theatre, hannah, marie

An intelligent use of set design and on-stage props deliver endless uses. Lights projected behind turquoise umbrellas imitate the fluidity of crashing waves and graceful sea creatures. While the ship’s sail doubles as a puppeteers projection screen.

‘Havarie’ is the first production from the Lost Goose Company, a theatre collective of four women from across the globe. Their different artistic backgrounds spanning everything from musical theatre, to dance and stage acting combine

Searching for an Off-West End production bursting with creativity and darkness? Check out ‘Havarie’. View the tour schedule via the Lost Goose Theatre Company website.

You can also see real-time updates from the production staff via the Lost Goose Theatre Company Facebook page.

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From Blitz to Shoreditch Vintage Festival 2012

13 Aug

It’s no secret that I am one of the most unashamed consumers going, but abreast of that – I do love a good bargain! Hence, thrift shopping is the ideal pass time.

Held at Shoreditch town hall there were tea & cakes to be had, shortly after you’d been primed and preened at the grooming parlour where you could have dated do’s and make-up. The entire hall was absolutely bursting with all types of Brit nostalgia and fashion from high-end to bargain bucket to apparel and up-cycle.

My favourite rummaging spot was the photograph stall. Stacked with pouting models and in everything from Moschino to Mary Quant. I could’ve spent the whole day there, but musky vintage waits for no woman alone.

All-in-all my purchases largely consisted of brooches & jewellery, although there was the odd nautical bowling shirt, 50 mechanical heart-shaped alarm clock, virginal white sun dress, and of course a silk tie for the papa.

Here are some snaps from my day there:


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Events: Walthamstow Wire Workshops & Jewellery Making

15 Apr

Last month I chanced upon a special kind of craft fair, showcasing the work of crafty men and women who make beautiful one-off jewellery and accessory pieces. The interesting thing about these folks is their fusion of traditional celtic-style stones and modern methods of handicraft.

Birgit Barret - Walthamstow Jewellery Group

They’re all member’s of Walthamstow Jewellery Group, headed up by the charming German expat Birgit Barret. For those unfamiliar with Stow, it’s a borough in north east London, a cosmopolis of all interests, generations and cultures, and home to famous English textile designer and writer William Morris.

Student of Craft

Ouzha, from Walthamstow has been with the group for 6 months, and says her passion is all down to her teacher; “you name it and she teaches it Birgit has taught me so many things like wire crochet, ring making and wire wrap.


She adds: “My real passion now is crochet jewellery, I’m really going to get in to it. It looks great, if you have little gemstones, you just put it in to the wire threads in the necklace and it looks stunning, plus you can adjust it to suit your size, or make a range of sizes if you’re selling your pieces.”

I ask Ouzha what this shift back to the handmade way of life is all about; “You go to to shops nowadays and everything’s mass produced, I think it’s a case of, you know what you like.” The office worker also finds it a calming experience, “when I’m at work and I’m stressed, I just take my crochet on my lunch break and I’m on my way. Also it’s a nice social gathering, because you’ll go to a class and you’ll meet like-minded people.”

The Teacher

The creative guru shares her home with frame making entrepreneurial husband and dog, Rusty. She’s no begginer in the crafting world, and started back in her teens; “I sort of forgot about it, then picked it up again seven years ago – I got interested in beds & crystals and wanted to wear them.”

Like many successful creative professionals she told me her crafting business grew by mistake; “two yrs ago, people ask me if I teach, I thought, what is there to teach? So I looked in to it and started a little class in my front room. I converted that and now I’m running classes in the evening every week.

” I also host two daytime workshops and classes on Saturdays, plus fayres and whatever I can fit in.”


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Interiors: Love of Beauty is Taste, Creation is Art

7 Mar

Hoorah, after 21 years of life I finally have a room that I can swing a cat in – and more creative freedom than you can shake a stick at.

Work began on December 05, 2011 – a freezing unrelenting winter, and finished in mid-January when London days became longer and there began a faint promise that Summer might be glancing down from a distance, waging her warm sweet smile.

The thought behind my room is a beautiful clash between strength and fragility. The BHS ‘world craft’ collection lampshade is bold but intricate. A striking structure of black-stained canes – which create such a soft, organic picture when the light shines through it. Stretching long hair-like strands of light all around the ceiling.

The colour scheme is equally soft and strong; the key colour being grey – with the dominant colour being ‘French grey‘ (Dulux silk) which transports you to a southern French wooden shuttered chateau, complimented by a feature wall dowsed in ‘urban obsession‘ (Dulux matt) – a deeper more industrial shade of grey. The real impact is carried in the fact that the feature wall itself is the very peak of our chimney breast, perfectly angular and masculine.

Within the nook of the chimney breast I’ve compacted my entire book collection (coded by colour of course) slotted this way and that way with a sort of organised chaos.

Some other details and accents I decided needed to be pungent popping colours and textures, a bright pillar-box red felt flower petal cushion, with loops instead of tongue-like petal leaves. Plus tonnes and tonnes of pink silk and plastic Peony flowers dotted in tote bags hanging from the door, and old glass cookie jars.

My favourite feature out of the lot though, is my country kitchen picnic table (Ikea, Norden) which I use as my desk. Painted in a wipeable white coat, it consists of 6 skinny drawers, perfect for keeping candles, socks, sewing needles and thread – or any bits and bobs you can think of. The clever part is that you can fold the sucker away and it takes up the least amount of space possible.

Here are some snaps from around my attic chambre, including a rain splattered viewpoint from the window:

Early Learning Centre: Rorschach Psychological Assessment Art

11 Nov

Inspiration: For weeks upon end I kept visualising creating some kind of art with paint, repitition and some element of fading.

Like most other unreasonable women the name of a product is a major factor in the buying process. A prime example of this is make-up, and brands like Topshop make-up and Barry M cosmetics have got this art down to a ‘T’.

Another influence to this piece were the pictures used in psychological assessments – which I have since found out (thank-you Google) are named after Swiss psychologist Mr Hermann Rorschach; appropriately named ‘the Rorscharch test’ or simply the inkblot test, designed to reveal the details of our subconscious (see below).

The Rorschach test

The names I gave each finger print stain are pretty self explanatory, but I just wonder what they say about me. Do let me know what you see through your own eyes in these ‘inkblots’.

Project: Whip up some simple paint, one part poster paint powder, the other simply water. Place on a flat surface (a plastic plate works well) dip your finger in and press down on five different points along in a line on some paper. Place pressure on different parts of your finger each time, then leave to dry and write down the first thing that comes to mind.

TOPTIPS: When choosing paints, keep in mind that bolder colours tend to be the best for inkblot tests, evoking passion and emotion the most.